Showing posts with label perspective. Show all posts
Showing posts with label perspective. Show all posts

Monday, April 4, 2016

Illustrative - April is Distracted Driving Awareness Month

Drivers in their 20s are 23 percent of drivers in all fatal crashes, but are 27 percent of the distracted drivers and 38 percent of the dis­tracted drivers who were using cell phones in fatal crashes. (NHTSA) 
     Did you know that 26 percent of all crashes involve cell phone use? It is said the best way to end distracted driving is to educate our friends and neighbors about the dangers it poses and I decided my post should address something I really care about. It is one of my biggest pet peeves and it is not uncommon for me to be screaming down the boulevard at the dozens of people texting down the road every day. I have written letters to the editor and even to Mayor Pike addressing the issue, but so far the publicity campaign in our city is still severely limited.
    I went through several ideas dealing with prescription drug abuse and the homeless struggles in our city before I settled on texting and driving. I am sure creating editorial photos isn't always exciting, but I had a fantastic time figuring out what to do because I was so passionate about the idea. Any one who has traveled in a car with me has probably been annoyed at my preaching and even yelling at them to lose their electronic devices. Even a simple text can change a lifetime. JUST DON'T.
   At first it felt unnatural for me to begin planning a photograph. I have always been of the mind that photography happens naturally and being able to capture the moment is where meaning is derived from. That is another reason I have been resistant to engage in digital editing because I thought what the camera snaps is what you get...win or lose. However, once I began mapping it out, I discovered how much fun it is to be creative about something you care about greatly. Considering the contexts suddenly became easy and help me develop my shot.
     While considering the physical, I wanted it to relate to the university and the students I hope to save from accidents. I had to find a location that would be easily identifiable to the community and also be functional within the shot. I settled on university avenue and wanted to include the street, camera and sign in my frame and the only way to achieve this was a slightly dangerous position just inside the road with traffic whizzing by my feet. I thought about different ways of changing the perspective and settled on a short focal length, but getting the perfect angle to contain every element was challenging. Psychologically, I wanted to create a sense of dread with the broken glass and drops of blood exploding from the street towards the sign. This took a little self-sacrifice and smidge of temporary pain was totally worth it. I wanted to highlight the temporal context by shooting during the day because it relates to the student actions and areas around campus can be extremely dangerous during school hours. Socially, I think we can all relate to that areas of education should be safe zones and anything that jeopardizes that status quo should be alarming. We live in a new electronic culture where everyone can relate to the correlation between cell phones and the use of them on the roadway. It was my hope that the different symbols in this shot would hook the audience into wondering what story I was attempting to tell and it may have worked to well. I shared it with some from friends on April Fool's day and the common response was "WTH?" but at least I know they care!

 

Monday, March 21, 2016

Portrait Redux - Northern window light

f/4.5 1/100 sec. ISO-800 105mm
On my last post I commented on how much I enjoyed working in the studio with the class, however, it was nothing compared to the awesome afternoon I spent with my grandparents getting these shots. It makes an incredible difference being able to personally interact with the model and getting my grandma to laugh and smile on cue was just way too much fun. I may be a little biased here too, but I think she is one of the prettiest grandmas on the planet. Even with natural light I think I prefer Rembrandt positions to create the most interesting pics. I am so glad we took a second shot at this assignment.
f/4 1/100 sec. ISO-800 75mm
f/4.5 1/100 sec. ISO-800 95mm

f/4.5 1/100 sec. ISO-800 100mm
f/5 1/100 sec. ISO-800 150mm
f/4 1/100 sec. ISO-800 80mm

f/4 1/80 sec. ISO-800 85mm

f/4.5 1/100 sec ISO-800 105 mm

f/4/ 1/100 sec. ISO-800 75mm

and just one more cause they are just too cute.

f/4 1/100 sec. ISO-800 75mm

Sunday, March 13, 2016

Portraits - The Take

“When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.”
 Ansel Adams

     Although our day in the studio was amazing and one of the funnest days of class yet, I must admit that being a model in front of the camera and playing editor were among my least favorite experiences of the semester. That being said, I understand now the importance of being placed in both those positions.
Photo by Joshua Kanerversky

     Being in front of the camera places you in a vulnerable position that can't be appreciated fully until the lights are beating down on your lids and multiple lenses are peering down at your every imperfection. All I kept hoping was that the photographers clicking away were being respectful and leaving at least a few wrinkles to mystery and not peering directly up my nose. It was an act of faith and it was a great reminder to treat your subjects with dignity as you shoot. Knowing how it feels to have a camera up close and personal taught me what limits I need to consider when I am the one behind the shutter.
Photo by Joshua Kanerversky
     In the same way, editing and critiquing someone else's work forces you to feel the flip side and learn respect for the other side of the trade. I have a tough time judging others work, especially with photography, because I find so much of what is beautiful is subjective. One of my personal favorite shots of the day was underexposed and any editor would probably throw it out first. I chose to edit a few of Joshua's shots because like me, it was his first time in a studio. I thought he did an excellent job with his exposure and the color and light in the glamour shots were spot on. He captured one of my favorite shots yet of me so I had to include it with the color saturation turned 100 percent down. I just can't help liking the feel of Black and White. I could't decide on what to critique except maybe the framing of some really great shots. He may have been facing the same challenge of finding space among the rest of us snapping away. I decided to crop a few below and turning up the saturation a couple notches, but I was happy to have so many wonderful expressions to choose from. Well done.

Photo by Joshua Kanerversky

Photo by Joshua Kanerversky
Photo by Joshua Kanerversky

Photo by Joshua Kanerversky

Photo by Joshua Kanerversky

Photo by Joshua Kanerversky

Photo by Joshua Kanerversky

Photo by Joshua Kanerversky

Pinckney's Twelve

     Of all the lighting setups, I enjoyed the challenges created by Rembrandt lighting to come up with a good take. When I say challenges, what I probably mean is frustration and the fact I had as much fun in the moment seems a little strange in retrospect. It was like a battle was being fought between the forces of light and shadow and I was caught square in the middle of the drama. The setup is easy with a key light facing the subject at a 45 degree angle just above their head and a backlight that shines down behind their body. Then a reflector can be used opposite the key to manipulate the light and create some interesting shots.


f/4 1/60 sec. ISO-400 75mm
   
     The ultimate goal for a Rembrandt style photo is to have the subject's face well lit on one side and only a small triangle of light on the opposing cheek. Also, the size of the triangle should match in the width of their eyes and not extend pass the subject's nose. This isn't easily achieved when you are moving around and try to squeeze in from different angles. I found my best shots came when I just waited for my subject to move into position and watch how the light transformed their face. 

f/5.6 1/25 sec. ISO-400 55mm

f/4.5 1/60 sec. ISO-400 110mm

f/4 1/125 sec. ISO-400 85mm

f/4.5 1/60 sec. ISO-400 105mm

     Although the lighting setup in glamour photography is important, it seemed that interaction with the model was most important. The backlight should be setup to fully illuminate the subject and the key light needs to be dead on with a reflector to hep fill in the shadow areas. However, once the subject is fully and well lit the game changes from technical aspects to what you can draw out of the subject.
   

f/5.6 1/500 sec. ISO-3200 55mm

f/5.6 1/250 ISO-800 55mm

     With many different photographers in the room and only one model at a time to work with, this can be the most difficult part of the day. I kept thinking I don't want to intrude on other's good take, but the fact is you have to get in there and direct the model's actions because anything creative and original comes out of what they do. Everything is drawn to the eyes for me and I like glamour shots where I feel the subject is staring into your soul. I think that is also why I find myself drawn to low key photos versus high key. With low key the subject is set apart from the dark background. There is less chance to get distracted by the surroundings and you are left with only your subject and their wonderful eyes.

f/5.6 1/400 sec. ISO-3200 55mm

f/5.6 1/320 sec. ISO-3200 55mm

f/5.6 1/1000 sec. ISO-400 55mm

f/5.6 1/640 sec. ISO-3200 55mm


and just one more because I really like it :)
f/4.5 1/250 sec. ISO-400 125mm

Thanks again everyone for an awesome day!!

Wednesday, February 17, 2016

Have an awesome weekend everyone!


f/36 1/30 sec. ISO-100 55mm
Farewell Justice Scalia

f/5.6 1/320 sec. ISO-100 55mm

f/5  1/400 sec. ISO-100 75mm

-     Beyond the raven's gaze I see a captured moment glaring back at me   - 


Monday, February 1, 2016

Shooting Wide - In Search of Petroglyphs

1/40 sec. f/22 18mm ISO 640
With the simple goal of going out to shoot something, I jumped on the motorcycle and headed toward Snow Canyon in search of petroglyphs. For many years I have heard legends of some really unique carvings at a place called Newspaper Rock and I decided it was time to finally seek them out. I can tell you now, the reason it is one of Southern Utah's hidden gems is because of the difficulty locating it. I left immediately after class with the intention having hours to photograph symbols, but I discovered getting to a location can be just as challenging as finding the perfect shot.
1/1600 sec. f/3.5 18mm  ISO 100
Shooting with only a wide angle also presented challenges I had not anticipated. It forces you to look at everything with a different eye. On one hand a wide angle can provide you with a sense of scale of your surroundings, but in order to see something really interesting you have to get very close to the subject. It does create more intimate photos if you are willing to get into the thick of it. This was a great lesson in how to be prepared for a shoot and everything I should have considered ahead of time. Welcome to my adventure.
1/100 sec. f/13 18mm  ISO 100

1/40 sec. f/14 18mm  ISO 1000
Edited

1/30 sec. f/20 18mm  ISO 400

1/40 sec. f/14 18mm  ISO 640

1/30 sec. f/13 18mm  ISO 100

1/30 sec. f/8 18mm  ISO1250
Edited
1/30 sec. f/22 18mm  ISO 1600

1/30 sec. f/22 18mm  ISO 3200
Edited

1/60 sec. f/10 18mm  ISO 100

1/20 sec. f/22 18mm  ISO 3200
Edited
One of the most important things to remember is to keep your head about you and not get lost in the excitement of the moment and in that regard I completely failed. I was having so much fun in the adventure I forget to let anyone know where I would be going. It was a lot more treacherous country than I planned for and I was so caught up in my lens I forgot to think about getting out of the location safely. I didn't even think to bring a flashlight with me and with light fading I suddenly realized it could end up being a very cold night. It was a dead sprint back to the main trail just in time to catch a few sunset shots. I actually only came upon three petroglyphs in four hours of searching, but I will be heading back soon and definitely more prepared.

1/640 sec. f/5.6 18mm  ISO 3200

Not a wide angle shot of the petroglyph rocks yet....but this is what I was looking for. They will have to wait for adventure two.
1/13 sec. f/8 55mm  ISO 3200